Saturday, April 27, 2013

The Trials of being a Fairy Godmother




Book Review: Fairy Godmothers Inc. by Jennifer Wardell


April 27
"Fairy Godmothers, Inc." Launch Party
1-4 p.m.
Barnes and Noble, 1780 Woodland Park Dr., Layton, UT




Fairy Godmother Rule Number One: Never argue with a client. As long as someone’s willing to pay for them, dancing elephants, solid-gold princes, and fifty-foot high stacks of down-filled mattresses are perfectly fine requests. And never, under any circumstances, point out when a client is being an idiot.

With this introduction Jennifer Wardell takes us on a delightful journey through the Kingdom of Somewhere in her book, Fairy Godmothers Inc.

For Kate, being a Fairy Godmother isn’t all it’s cracked up to be. There’s the flammable blue tulle skirt, all that pesky paperwork, the manual of standard operating procedures, corporate politics (Who knew?), a dreadful boss named Bubbles, and clients with impossible demands. 

At Fairy Godmothers Inc., Kate’s latest assignment is to see that Cinderella marries her prince. There’s a deadline. A lot is riding on this particular contract, and Bubbles declares that it’s in Kate’s best interests to see that it’s fulfilled with a maximum of efficiency, as well as a bit of glitter.

The prince in question is the eldest son, hapless, harmless Rupert Devlin Golden Montclaire Charming: “square-jawed, golden-haired, and a reputation for being what PR departments commonly refer to as a ‘rake.’”  But Prince Rupert hasn’t been kept in the Cinderella loop; in a sudden departure from his usual rakish behavior, he’s MIA, on a quest of self-actualization (but first he must learn what big words mean) and his brother Jon must cover in his absence. That would be the sensible and capable second son, Prince Jonathan Alistair Crispin Lorimer Charming, accompanied by Lawton, his loyal and brilliant right-hand man with a fondness for good sherry.

With a nod to A Midsummer Night’s Dream (remember, “The course of true love never did run smooth”), affairs of the heart in the Kingdom of Somewhere get hopelessly tangled, and it’s up to Fairy Godmother Kate, her intern Ned, Prince Jon and Lawton to untangle the Royal Family from the ensuing mess and see that a proper  bit of matchmaking ensues.

And of course there are shoes. Many, many shoes. What’s a Cinderella story without shoes? Jennifer Wardell's  Fairy Godmothers Inc. is a light-hearted, fast-paced, laugh-out-loud, engagingly funny romp through a bit of fairytale madness. 





Author Jennifer Wardell is the arts, entertainment, and lifestyle reporter for the Davis Clipper. She's won several awards from the Utah Press Association and the Utah Headliners Chapter of the Society of Professional Journalists. She currently lives in Layton, Utah. Fairy Godmothers, Inc. is her first novel.
Find Jennifer online here:
Twitter: @wardellwriter




Title: Fairy Godmothers, Inc.

Author: Jenniffer Wardell

Publisher: Jolly Fish Press, LLC

Trim: 6 in. x 9 in.

Format: Hardcover, Trade Paperback

Pages: 350

(HC) ISBN-13: 978-0-9886491-4-9

(TPB) ISBN-13: 978-0-9886491-5-6
(E-Book) ISBN-13: 978-0-9886491-6-3
Retail Price: (HC) $28.99, (TPB) $16.99, (E-Book) $7.99
Genre: Adult Humor/Romance
Region: US, CAN, UK, AU
Wholesaler: Ingram
Publication Date: April 27, 2013


Fairy Godmothers Inc. is available at amazon.com, Barnes and Noble, 
and wherever fine books are sold



Publisher: Jolly Fish Press





Sunday, April 21, 2013

Book Review and Author Interview: From Rivets and Rails, Recipes of a Boarding House Cookbook





 From Rivets and Rails is a charming cookbook that preserves a historical era as carefully as its cooks preserved their food---and their recipes. As many successes originate, the endeavor that led to this cookbook was started out of necessity, as Elizabeth Shade Kennedy found herself suddenly widowed with five young sons to raise. To support her family, she established a boarding house for railroad workers on the New York Central and Hudson River Railroad lines and kept a detailed cooking journal.
actual page from cookery journal

In From Rivets and Rails, Shaunda Kennedy Wenger pays tribute to a her ancestor, a great lady and a great cook. The recipes, tips and and anecdotal notes offer insightful glimpses into Mrs. Kennedy's life as a cook, mother, and boardinghouse keeper. No doubt her boarders were well-fed. This priceless journal documents recipes and traditions that have been passed to the present generation of cooks in Elizabeth Shade Kennedy's family. Historical footnotes add to the reader's appreciation and understanding of the recipes and methods described in the book.

From Rose Blossom Wine to Wampsie Pudding to recipes for gall stones and furniture polish, From Rivets to Rails offers a fascinating study of home management, cooking and cooks. Many of the recipes could be made today without any changes. Some ingredients and standards have changed since the early 1900s, but wisely, the recipes in this book remain exactly as they were written, and the reader can adapt as deemed necessary. Modern equivalents and cooking standards would have significantly reduced the charm and appeal of this book.

I loved the instructions for Mathiglum, (fermented honey, water, and brown sugar): "Take one glass before going to bed. Stay there for 48 hours, if you have no one to help you." No malady was listed, just a cure, leaving readers to imagine its many possibilities.

For a delightful read and a great historical cooking reference, I highly recommend Shaunda Kennedy Wenger's From Rivets to Rails, Recipes of a Railroad Boarding House Cookbook. Available at amazon.com.

author Shaunda Kennedy Wenger


Check out this article at huffington post: http://huff.to/XNfCX6


Interview with Shaunda Kennedy Wenger


When did you first learn about the family's cookery journal?

I didn’t know about my great-grandmother’s cookery journal until my grandmother told me about it after The Book Lover’s Cookbook, Recipes from Celebrated Works of Literature and the Passages That Feature Them (Ballantine Books) was published.

My grandmother and I were sitting together at her table during one of my visits to Pennsylvania. She rubbed her hand over the cover of her copy of The Book Lover’s Cookbook and said, “Your great-grandmother would have been so proud of you.” Since I never knew my great-grandmother, I asked her what she meant. She went on to tell me that my great-grandmother had written a cookbook of her own. I couldn’t believe my eyes when she brought out the old, brown leather journal, with all its hand-written recipes included within. I immediately began pouring over the pages and was taken by her story of running a railroad boarding house while supporting her family. Her cookbook had the recipes that she used in her boarding house.

Have you made or eaten any of the recipes? If so, which are your favorites?

Absolutely! My favorite is the railroad cakes. I had been so tickled when I came across this recipe in her journal. It seemed so perfect, given that she provided a home away from home for railroad workers and travelers.

In doing research on railroad cakes, I found two different recipes. One resembles Irish Soda Bread, the other produces smaller, individual hand-held cakes that travelers would purchase from vendors at the stations (like the one given in my great-grandmother’s cookbook). I suppose both types of cakes could have been purchased from vendors, provided the Irish Soda bread was sold in slices. Either way, railroad cakes provided sustenance for railroad travelers as they made their way toward their destinations, much like the food stands, restaurants, and vending machines that are found at any transportation hub today. I imagine my great-grandmother handed these railroad cakes to her boarders, sons and husband as they made their way out the door.

My grandmother’s recipe delivers a thick batter, nearly resembling that of cookie dough, which gives a more substantial texture to the baked cake. However, the buttery lemon flavor is delicious! Since the recipe calls for baking the batter in small pans, I used four-inch tart pans that I had on hand; the recipe gave me 6 hearty cakes.

Recently, my son and I were eating the cakes on route to school one morning (he’d missed the bus). The experience brought to mind the phrase, “Eat on the run.” I realized this phrase could have originated with railroading, since workers often called their trips to, from, or during work, “runs.” I just love that idea! Hint: see what the term, “given the Run-Around” means in my cookbook, near the end on page 69.

What was the biggest surprise you found within the pages of this journal

The biggest surprise was discovering that bell peppers were called “mangos” in the late 1800s and early 1900s. I couldn’t understand why so many recipes for relish, pickles, chili sauce, and sandwich spread would include mangos in the list of ingredients. I asked my grandmother about it, and her reply was, “Don’t you know what a mango is?”

Uh, I thought I did…

Use of the term mango in describing bell peppers is believed to have originated with the coal miners in Pennsylvania. In an 1887 edition of “The Original White House Cookbook,” a recipe for Green Pepper Mangos describes the bell pepper perfectly in removing the seeds and filling it with a vegetable mixture.

My confusion led me to wonder if review of historical recipes that featured “mangos” in the list of ingredients led to the idea of fruit salsas that emerged later.

As for other surprises, there were so many historical gems and trivia that I discovered and included in the cookbook as I put it together, like the fact that the inventor of the steam locomotive also invented gelatin! (Oh, how that man must have loved his wife! Apparently, he felt he should put an end to her having to bake hooves and bones all day in order to make the family some gelatin. Thus, the birth of powdered gelatin, brought to the modern housewife in convenient packets!)

You have chosen to self-publish your latest books. What have you learned from that process?

Self-publishing has been an exciting adventure. If it weren’t for the success of other friends who jumped into publication with alternative markets (e.g., Judy Torres, author of Duck, Duck, Moose and The Monster Under the Bed Loves Chocolate Chip Cookies), I don’t think I would ever have been brave enough to try.

When I published my first novel, The Ghost in Me (which recently became a B.R.A.G MedallionTM honoree), so many people were against self-publishing. Essentially, self-published books had a bad rap. But I stepped into this venture the right way. I had my book professionally edited. I produced a good cover that was suitable for the market. I put my best work “out there,” much the way traditionally published authors do. And in the end, I prayed it would be well-received, just like any other author and editing team. The only difference was that I didn’t have the marketing, publicists, and connections of NY publishers; so I had a slow start. But I also haven’t had to divvy up my earnings with scores of other people standing in line before me at a publisher. Thus, I’ve been able to keep the price of my book down, making my book more affordable (and hopefully more appealing) to readers. All in all, self-publishing has been a good experience.

It’s been interesting to see that so many traditionally published authors, who were nay-sayers of self-publishing a few years ago, are now self-publishing their own books. Furthermore, some literary agencies now have “in-house divisions” that help their authors prepare their manuscripts for self-publishing. (And yes, they do charge for this service.) And it seems that NY publishers are no longer discouraging their authors from pursuing this option. In fact, many NY publishers are actually picking up on trends that were established first by self-published authors. For example, the short story is making a comeback in the traditional market; NY publishers are now seeking manuscripts in this genre. Yet, the short story has been a hot market by way of ebooks for self-published writers for many years.

The bottom line is, if you have a dream, you shouldn’t let anyone hold you back. However, in the end, it’s up to you and how well you executed your plans, as to whether those efforts will have been worth it. Ultimately, you do need to do your best work, and you do need to heed the advice that you hear from others who are experienced in the process. In this adventure, I needed to follow the advice of other self-published authors, rather than the traditional ones (and I guess I’m one of those traditional authors myself, considering where my writing career started with Ballantine Books and The Book Lover’s Cookbook!). Perhaps I should say, be your own guide, but by all means, travel down the path with others.


Thank you so much for having me, Janet! I loved answering your questions. I can tell you are very experienced and talented in cookbooks, and knew just what to ask! I wouldn’t have expected anything less from a fellow co-author! J



Monday, April 15, 2013

Hedgebrook Day Seven: Going home and making some resolutions

(The last in a series of posts about the week I spent at Hedgebrook Writers Retreat for Women on Whidby Island off the coast of Washington in December 2012)




the blue Dutch door  of "my" Willow Cottage

the office. where they take care of administrative details, and you'll usually find
 a  happy dog who comes to work with a staff member.

the barn, where larger groups meet for readings and social events

for internet access, residents visit the pump house


or the farmhouse . . . 


...because you won't find it in the cottages. 


So, having spent a peaceful, serene week with my laptop and my thoughts in a cozy little cottage in the forest, the challenge is how to carry the spirit of Hedgebrook home with me. 

I will continue to downsize and declutter, especially in my office, 
which should be a writing sanctuary. 

I can designate certain hours as internet-free.

And I can simply take the phone off the hook during prime writing hours. 
After all, that's why we have an answering machine. 


Wednesday, April 10, 2013

Hedgebrook Writers Retreat Day Six: a Photographic Essay

(Continuing a series of posts about the week I spent at Hedgebrook Writers Retreat for Women on Whidby Island off the coast of Washington in December 2012)


On the path to the cottages

A place for everything and everything in its place


In case of earthquake, put on the hard hat.

What the grounds look like in the spring and summer
Photo c/o Hedgebrook

The path to the farmhouse - in the spring
photo c/o Hedgebrook

When evening falls
photo c/o Hedgebrook

"The woods are lovely, dark and deep . . . "


view from my window seat

All the comforts of home. Upstairs in the loft

View from the window seat in the bathhouse


Time for contemplation

A quiet stream ends in a waterfall

A  stationary guardian of Hedgebrook

Wednesday, April 3, 2013

Hedgebrook Writers Retreat Day Five


(Continuing a series of posts about the week I spent at Hedgebrook Writers Retreat for Women on Whidby Island off the coast of Washington in December 2012)


photo c/o Hedgebrook

At the Hedgebrook Womens Writers Retreat on Whidby Island off the coast of Washington, everything has been beautifully designed for comfort, privacy, inspiration and contemplation, from the cottages and gardens to the farmhouse and the landscaping.  








The cottages are handcrafted, each made from a different variety of wood, and each with one-of-a kind artisan touches. The Amish influence on the construction is evident in the open beams, use of wooden pegs, and hand-made furnishings. 




The kitchens are efficient, with a toaster oven, hotplate, and small refrigerator. There are enough pots and pans, dishes and silverware to                       accommodate one person easily. 





Every window offers a beautiful view of the surrounding forest. This one is from the window seat in the Willow Cottage, where I stayed.





 This is another view from a window.





I learned to build and maintain fires in the surprisingly efficient wood-burning stove. 





I took this photo of the woodpile because I knew my son in Finland would be impressed, as his home is heated by a large soapstone wood-burning stove, and he has learned the art of stacking wood. 






Each cottage has a half-bath. In the bathhouse are private showers, laundry facilities, and . . .  




 a deep, claw-footed tub, where one can enjoy a long candlelight bath in fragrant bath salts. 





Hand-crafted tiles and basin in the bathhouse. 





Though the kitchens are fully equipped, the dinner table, where wonderful food is served and warm conversations enjoyed, is in the farmhouse. Hedgebrook employ several terrific chefs. Produce, in season, comes from the garden (which had been put to rest in December, but is pictured at its height in the summer). Other food is supplied by local farmers. 



photo c/o Hedgebrook
A typical table set for writers in residence. 


photo c/o Hedgebrook
The queen-sized bed with handcrafted headboard is reached by a ladder.




If a guest doesn't want to brave the ladder, a bed can easily be made below the loft, under a bank of windows that offers yet another perspective. 








The stained-glass windows in my loft made me think of Monet's irises. The sound of rain on the roof was a wonderful accompaniment to waking and sleeping. 


photo c/o Hedgebrook
As seen from the loft, there is ample desk space below for the working author.




Bookcases allow for ample storage of an author's personal library, but I traveled light. The dictionary and thesaurus were sufficient, and the farmhouse has a good-sized library filled with books written by previous residents. 





On the path to the farmhouse, this open fire pit invites writers to spend a cozy evening in front of a bonfire. In December, we didn't choose to. 



Photo by Kate
I heard owls at night, and I also heard stories about them swooping over resident writers, encouraging some women to wear hats, but the only owl I saw was this carved one, which stands guard over the garden.